Cremona is a reference
point for the art of violin-making in the world and boasts some of the
greatest monuments of the past, like the Cathedral, the Baptistery and
the splendid Town Hall square.
The museums not only testify the
archeological importance of the town and the famous art of the
Renaissance painters, but also the history of the famous violin-makers,
among which the Amati, Guarneri del Gesù and the great
Antonio Stradivari: the theatres celebrate the music of
Monteverdi and Ponchielli.
The relationship of the town of Cremona with the river Po is direct, energetic and instinctive.
The territory of Cremona extends itself to Casalasco,
rich in villas and castles and a valuable collection of art in the
churches and palaces, the venetian walls of Crema, the castles of
Pandino and Soncino and the fortified remains of Pizzighettone.
The region has such a variety of landscapes,
no city can fully encapsulate all that Lombardy is. Yet Cremona is a special
place that embodies many of its region's values: purposeful hard work, quiet
solidity, piousness, and belief in commerce, love of culture, and art.
Although
opera reaches its zenith at Milan's Teatro alla Scala, the first great opera
composer, Claudio Monteverdi (1567-1643) was from Cremona. So too is Mina,
Italy's foremost popular singer, whose status as a living legend is comparable
to that of Barbra Streisand in the United States.
Cremona has a distinguished musical history. The 12th century
cathedral was probably the focus of organized musical activity in the region in
the late Middle Ages. By the 16th century the town had become a famous musical
center.
Nowadays there are important ensembles for Renaissance and Baroque music, i.e. Choir &
Consort Costanzo Porta, and festivals which maintain Cremona as one of
the most important town in Italy for music. Composer Marc Antonio Ingegneri
taught there; Claudio Monteverdi was his most famous student, before leaving for
Venice in 1591.
The bishop of Cremona, Nicolo' Sfondrato, a fervent supporter of
the Counter-Reformation, became Pope Gregory XIV in 1590. Since he was an
equally fervent patron of music, the renown of the town as a musical destination
grew accordingly.
For anyone who loves the violin, Cremona is Mecca. This
is where Antonio Stradivari (I644-I737), maker of the finest stringed
instruments ever crafted, was born and worked. He was the inventor of the cello
(violoncello). Other fine violin makers in Cremona were Amati and Guarneri. In
the city hall are several of these violins, which are played every day to keep
them in tune. Be sure to visit the violin collection in the Palazzo d'Arte.
Cremonese cuisine
I suspect that the creativity of the cremonesi is in part a product of their
substantial cuisine. Most agricultural statistics indicate that the farms in the
province of Cremona are the most productive in Italy. This is in the middle of
Padania, the fertile plain of the Po River valley.
There are beef cows and dairy
cows. The former wind up as the secondo at many cremonese meals. The
latter produce rivers of milk, used to make several wonderful cheeses plus
butter and cream.
A special flavor here is mostarda, which gives a
special tang and sweetness to many of the dishes in cremonese cuisine, including
tortelli di zucca and
bollito misto.
The food of Cremona surely is not light, but it is more
subtle than one would expect from a place that relies on the cow for much of its
sustenance.
Cremona also vies with Benevento in Campania and a few other towns
as the home of the popular torrone. Where it was created is a matter of
debate, but there is no doubt that the version made in Cremona is the most
famous.
An unusual specialty typically identified with Cremona, in the Lombardia region of
Italy, traditional Mostarda is a mixture of whole fruits preserved in simple
syrup and mustard oil. Mostarda's origin goes back to the honey, mustard, oil
and vinegar condiments of the Roman Empire.
The word mostarda derives from the
French, moutarde, which in turn derives from mout ardent-a fiery condiment made
by adding essence of mustard to unfermented grape must and cooking it down.
It
also derives from the traditional cugna of Piedmonte. This is a jam made from
boiled down grape must which is spiced with ground mustard and mixed with fruit.
During the Renaissance, sweeteners were difficult and expensive to obtain, so
mostarda was enjoyed primarily by the aristocracy.
Most modern visitors to Italy
recall seeing mostarda served with bollito misto, the famous boiled meat dish of
the North.