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Franciscan Itinerary
La Verna - Assisi

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Umbria Franciscan Itinerary La Verna - Assisi

La Verna and Montecasale (in Tuscany) have a great importance in the life of Saint Francis.

Church of San Francesco (Saint Francis) – (Umbertide)
The church of San Francesco (Saint Francis) dates back to the 14th century. Its facade, which is built of stone blocks, is decorated with a portal with a trilobate arch (three lobes in the shape of a clover), surmounted by a wide oculus (eye, round window). In the last chapel on the left we find a work by Niccolo' Circignani, known as Pomarancio, entitled Madonna in Glory and four Saints, dating back to 1577. Immediately to the right of the church lies one side of the small cloister in the form of an arcade on pillars. On the right of the cloister stands the small church of S. Bernardino which houses a 16th-century wooden statue of Saint Bernardine. Both churches are closed for restoration.

UmbriaPhoto © Roberto Romano

Convent and church of S. Maria della Pieta' – (Umbertide)
According to several local sources it seems that the convent can be dated to 1481. Its structure is not very large and having gone through the entrance door the visitor comes to a cloister entirely run round by brick-finished arches surmounted by an open gallery which overlooks the small courtyard below.

The date when the building works of the church began is not known for certain, although Briziarelli fixes it at 1486.

However, a private testament relating to a legacy of money for the acquisition of lime, pantiles, timber and bricks for its construction dates back to 4th September 1492 and by this means we can be certain that works were underway in this period.

A further enlargement took place in the 16th century and there are details of other bequests in favor of the community of Observants who lived there in 1524, in 1577 and in 1592.

In any case, the church had only just been completed when it was enriched with two works of great value, namely the Coronation of the Virgin by Bernardino di Betto, known as Pinturicchio, and a decoration on the lunette of the portal depicting a Madonna among angels attributed either to the latter or by others to G. B. Caporali.

The interior of the church has a single nave and nine altars. The high one used to house the work by Pinturicchio, which after various ups and downs in its history is now on exhibition in the Vatican Museums and has been replaced with a very poor copy in plastic-coated canvas.

Umbria Franciscan itinerary

Also worthy of note are the portal in bluish-grey sandstone which frames the chapel of the SS. Sacramento and the modern stained glass windows (vetrata di destra) e which date back to 1975, the work of Father Alberto Farina also well-known for his works in Assisi.

Umbria Franciscan Itinerary

Church of San Bernardino – (Umbertide)
The church of San Bernardino was built on an ancient oratory of the disciplinants.Tradition has it that St. Bernardine himself founded there, in 1426, the Congregazione del Buon Gesu'. Consecrated in 1556, it underwent various alterations up until 1768.

On the high altar, in addition to the painting by Flori entitled "The supper of the Apostles" of 1602, we find a gilt wooden statue of the dead Christ which used to be carried in procession on Good Friday, and became famous thanks to a miracle which took place on 14th April 1402, a date on which the wounds of the Christ exhibited in the church were seen to gush blood. In addition, the left-hand chapel contains a life-size crucifix restored in 1609; on the altar in the right-hand chapel dedicated to St. Bernardine and known as the Chapel of the Confraternity, we find a 16th-century statue of the saint made of sorb wood, attributed to Vecchietta of Siena or to his School, also carried in procession on 20th May.

The altar of St. Bernardine is also known as the altar of the relics because it contains numerous relics, all of which were authenticated by Bishop Mons. Andrea Sorbolonghi in 1610.

The high altar and the altar of St. Bernardine is the so-called "Choir of the Musicians" dating back to 1633. Opposite this chapel is a canvas by the painter from Fratta, Bernardino Magi, dating back to 1602 and representing St. Anthony Abbot offering the town of Fratta to the Virgin Mary.
The church is currently closed for restoration.

Church of S. Croce now Museum of Santa Croce – (Umbertide)
The church was built in 1610, to a design by a local architect, Fracassini, which involved enlarging a chapel belonging to the Augustinian fathers which had been in existence from 1338.
Now deconsecrated and converted into the Museum of Santa Croce it contains the restored Deposition from the Cross by Luca Signorelli and other important paintings including a canvas by Pomarancio, together with several bronze objects of a votive nature discovered near the Sanctuary on the high ground of Monte Acuto, dating back to the 6th and 5th century B.C. and kept upstairs. The high altar has an interesting wooden mostra by Pietro Lazzari.

Church of S. Francesco – (Gubbio)
The church of S. Francesco, attributed to Fra' Bevignate of Perugia (1259 -1292), has an ogival plan and a simple unfinished facade, decorated with a Gothic portal, a cornice of small arches and an elegant rose window.

The left-hand side is enlivened by a series of pilasters and large pointed windows, now walled up in part. Set into this same side is a double portal surmounted by a small rose window.

The back consists of three polygonal apses. The bell-tower, which is also polygonal, is incorporated into the right-hand apse.

The interior has three soaring, airy aisles, whose vaults date back to a transformation that took place in the 17th century and is decorated with precious paintings.

Gubbio Saint Francis church

Among the many works of art we find: the Immaculate Conception by Antonio Gherardi, the Crucifix and Franciscan saints of the Nucci school, the Deposition of the Cross, a copy of the painting by Daniele da Volterra executed by his pupil Nucci, the canvas by Imperiali with the Virgin enthroned and Saints, the canvas with St. Carlo Borromeo by Bandiera and St. Anthony of Padua by Anna Allegrini of 1673.
The characteristic chapel in the right-hand apse is dedicated to St. Francis and it is believed to stand on the site where the saint received the habit from the Spadalonga. The hypothesis is borne out by the fact that on the right-hand wall traces can be seen of the ancient house of the Spadalonga, now incorporated into the church.

Umbria saint Francis itinerary

The apse is divided into two by a vault on whose two sides are restored 14th-century frescos. The first on the left represents St. Francis cloaked with the bishop's mantle, and the one on the right St. Francis holding up the falling Lateran. In the center of the vault is the Benedictory Redeemer and the four Evangelists.

On the walls are depictions of saints, close to the style of Lorenzetti. In the central apse is another 13th-century fresco depicting Christ enthroned giving his blessing and on the right and left St. Peter, St. Paul, St. Francis and St. Anthony.

The left-hand apse contains the most conspicuous work, by Gubbio's most famous painter, Ottaviano Nelli, consisting of a cycle of 17 frescos illustrating the life of the Madonna and dated to between 1408 and 1413.
Passing through the large sacristy, we reach the convent cloister.On the left of the entrance we have a portal flanked by the splendid double lancet windows of the chapterhouse. In the latter, on the right, is a fresco detached from the wall datable perhaps to the 14th century, which would seem to depict the transit of the Holy House of Loreto. On the other side of the cloister is a Crucifix with various saints and 14th-century frescos. On the right is the refectory, with a pulpit let into the wall and a sinopia whose fresco perhaps depicts the tree of life.

Church of S. Francesco della Pace – (Gubbio)
This small holy building dates back to the 17th century.It contains a memento of the cave which, according to tradition, for two years was the home of the wolf miraculously cured by the saint. It seems the altar was made with the stone where St. Francis brought about peace between the animal and the inhabitants of Gubbio.

Church of Santa Maria della Vittoria – (Gubbio)
The small church of S. Maria della Vittoria or Vittorina belongs to a convent of the Friars Minor where St. Francis stayed. Inside are frescos from the 15th and 16th century.
According to tradition it was not far from this place, in the wood, that the encounter took place between St. Francis and the ferocious wolf that was creating havoc amongst the inhabitants of Gubbio. The Saint called it and taught it not to harm anyone. In exchange the inhabitants had to undertake to feed it and take care of it as long as it lived.

Sanctuary of S. Ubaldo – (Gubbio)
The first plan has mediaeval origins, whilst the structure we see today was carried out later thanks to the contribution of the Duchesses Eleonora and Elisabetta della Rovere in 1514. It has a splendid 16th-century portal and a very graceful Franciscan cloister in which fragmentary traces of frescoes remain.

The interior of the church has five aisles whose large windows at the back depict the life of the saint and are the work of the Florentine artist Mosmeier. The first aisle contains the famous "ceri" (church candles) which are transported up to the sanctuary in a race which is the highlight of the town's famous festival.

Basilica di San Francesco - (Assisi)
Francis chose to be buried on the "Hill of Hell", the most disreputable place in Assisi, where criminals and political enemies of the town were hanged. Following the burial of the saint, this place was renamed the "Hill of Paradise" and above the tomb of Francis a large church was built.

Gubbio Umbria

In 1228, in fact, brother Elias received from Pope Gregory IX (protector of the "Franciscan Order") a plot of land to build on, defining the architectural style of the edifice itself. The Basilica consists of the superimposition of two churches of equal size but different in type. Pope Innocent IV consecrated the Basilica on 20th May 1253. The holy building is in the Romanesque style with features characteristic of transalpine-Gothic.

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Lower Basilica
The lower church, completed in 1239, is in the Romanesque style. The interior consists of massive side pillars and the large ribbed vaults (which curve down almost to the ground) create an intimate atmosphere. The life of St. Francis is represented in the frescoes along the walls of the central aisle, painted by an unknown author known as the "Maestro di San Francesco". In addition to the refined depiction of episodes in the life of Saint Francis, there are also episodes taken from the life of Christ. In these, the artist has drawn a parallel between the Passion of Christ and the life of Francis.

The celebration of the glory of Saint Francis has been executed in the webs of the transept above the central altar. The frescoes in the webs fully express the Franciscan spirit of obedience, chastity and poverty. The four frescoes placed around a central Christ do in fact depict: Triumph of Saint Francis; Allegory of chastity; Allegory of poverty and Allegory of obedience .

In vivid colors they were executed by a master follower of Giotto, known as the "Maestro delle Vele". The last chapel on the right is dedicated to St. Mary Magdalen and contains some of the most important creations of the artistic maturity of Giotto.

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